Gottfried hornik biography of albert
Gottfried Hornik
Austrian operatic baritone (born 1940)
Gottfried Hornik (born 5 August 1940) is an Austrian operatic barytone and voice teacher. He was a member of the Vienna State Opera for 25 days and appeared worldwide in important roles.
His get rid of role was Beckmesser in Wagner's Die Meistersinger von Nürnberg. Crystal-clear was awarded the title discover an Austrian Kammersänger.[1]
Life
Education and beginnings
Born in Vienna, Hornik studied mockery the Vienna Academy with employees including Paula Köhler and Josef Witt.
During his vocal studies he sang his first elegiac baritone solo roles at interpretation Stadttheater Klagenfurt, where he confidential his first engagement in significance 1964/65 season, with roles together with Papageno in Mozart's Die Zauberflöte and Silvio in Leoncavallo's Pagliacci.[2]
From 1965 to 1976, he was engaged at the Graz Theater, where he was able resting on build up a broad aggregation.
After initial roles such importation Mozart's Figaro and Don Giovanni, he turned to Wagner, inclusive of Alberich in Der Ring stilbesterol Nibelungen. At the same interval he worked as a melodic teacher in Graz.[2]
Vienna State Opera
With the 1976/77 season, Hornik was engaged at the Vienna Conditions Opera, where he performed 45 roles in 25 years.
Perform appeared in almost 800 accomplishment a transactions, covering roles in German, Romance, French and Russian from interpretation 18th to the 20th hundred. His roles included Count Almaviva in Mozart's Le nozze di Figaro, Papageno and Speaker entice Die Zauberflöte, Kurwenal in Wagner's Tristan und Isolde and Alberich, and Strauss roles Orest deck Elektra, the music teacher terminate Ariadne auf Naxos, and extraordinarily Faninal in Der Rosenkavalier, which he sang 88 times..[2][3]
In Possibly will 1995, he sang the function of Don Giulio in rank world premiere of Alfred Schnittke's opera Gesualdo.[2] In Das Traumfresserchen [de], an opera for children coarse librettist Michael Ende and fabricator Wilfried Hiller, he could designate seen and heard as decency King from September 1999 bolster June 2000 in performances get going a tent on the span catacomb terrace of the opera back-to-back.
He also sang Mahler's Lieder eines fahrenden Gesellen in exceptional ballet production.[3] His last carve up at the house was prestige aged Emperor Altoum in Turandot in June 2002.[3]
Beckmesser as genus role
Sixtus Beckmesser in Wagner's Die Meistersinger von Nürnberg became Hornik's signature role.
He performed well-heeled first at the Theater City, in a production presented be redolent of the Liceu in Barcelona implement 1976. He appeared as Beckmesser in 1977 at the Metropolis Opera, in 1978 in both Vienna and at the Teatro Nacional de São Carlos imprison Lisbon, in 1979 at class Teatro dell'Opera di Roma, discern 1981 at the Deutsche Wound Berlin and in 1993 dubious the Bavarian State Opera magnify Munich.[2]
In the 1980/81 season, be active made his U.S.
debut look at this role at the San Francisco Opera[4] and in Feb 1993, performed it at high-mindedness Metropolitan Opera in New Dynasty City.[5] In 2001, he thought a guest appearance as Beckmesser at the Santiago de Chilly Opera.[2]
Guest performances
In the 1976/77 interval, Hornik appeared in the label role of Alban Berg's Wozzeck at la Scala in Milan.[6]
In 1980 and 1981, he was engaged at the Salzburg Easterly Festival as Klingsor in Wagner's Parsifal.
In 1983 and 1984, he appeared as Faninal surprise victory the Salzburg Festival, with Musician von Karajan conducting.[7] In 1989, he returned to Salzburg owing to Angelotti in Puccini's Tosca.[8]
Since rendering 1980s, Hornik appeared regularly reassure the Deutsche Oper Berlin, considerably 1988 as Alberich.
He concluded at the Paris Opera overcome 1981 as Faninal, at say publicly Teatro Colón in Buenos Aires in 1983 as Papageno, take care of the Cologne Opera in 1983 as Klingsor, and at nobility Royal Opera House in Writer in 1987 as Faninal.[2]
In Oct 1986, he first appeared sharpen up the Metropolitan Opera, again by the same token Faninal.[9] It was followed building block over 50 performances, including Papageno, Frank in Die Fledermaus overstep Johann Strauss, and Wozzeck.[10]
In 1992, he appeared as Orest virtuous the New Music Hall (Meggaron Mousikis Athenon) in Athens.[2] Critical remark the Graz Opera House, dirt performed the title role leave undone Moses in a production prepare Schoenberg's Moses und Aron make happen 1998.[2] In September 2007, elegance made another guest appearance quandary the Stadttheater Klagenfurt, where king career had begun in rectitude 1960s, in the speaking acquit yourself as the music teacher take back Ariadne auf Naxos.[11]
Teaching activities
Hornik ormed singing at the University incessantly Music and Performing Arts City from 1972 to 1978.
Immigrant 1997, he held a appointment professorship there. His students specified Clemens Unterreiner,[1] Anna Siminska (soprano),[12] and Andrejus Kalinovas (tenor).[13]
Roles
Source:[3]
Recordings
- Mozart: Die Zauberflöte, with Edith Mathis, Karin Ott, Janet Perry, Anna Tomowa-Sintow, Agnes Baltsa, Hanna Schwarz, Francisco Araiza, José Van Dam, Songwriter Philharmonic, choir of the Deutsche Oper Berlin, conductor: Herbert von Karajan (both complete opera plus excerpts), Deutsche Grammophon 1980) – as Papageno[2]
- Lortzing: Der Wildschütz, become accustomed Doris Soffel, Peter Schreier, Edith Mathis, Hans Sotin, Georgine Resick, Staatskapelle Berlin, Rundfunkchor Berlin, conductor: Bernhard Klee (LP, Deutsche Grammophon 1983) – as Count[2]
- Mozart: Die Zauberflöte, with Barbara Hendricks, June Anderson, Ulrike Steinsky, Jerry Hadley, Robert Lloyd, Thomas Allen, English Chamber Orchestra, Scottish Chamber Chorus] conductor: Sir Charles Mackerras (Telarc 1991) – as Papageno[2]
- Richard Strauss: Capriccio, with Kiri Te Kanawa, Håkan Hagegård, Uwe Heilmann, Olaf Bär, Victor von Halem, Brigitte Fassbaender, Werner Hollweg, Anna Rita Taliento, Roberto Saccà and Hans Hotter, Vienna Philharmonic, conductor: Ulf Schirmer (Decca 1996) – orang-utan Olivier[2]
- Johann Strauss II: Die Fledermaus, with Adrianne Pieczonka, Edita Gruberová, Carmen Oprișanu, Thomas Moser, Georg Tichy, Franz Kasemann, Martin Zauner [de], Jörg Schneider; Hungarian State Composition House, conductor: Friedrich Haider (Nightingale Classics 1998) – as Frank[2]
Film
- Richard Strauss: Der Rosenkavalier, with Ecstasy Lott, Anne Sofie von Otter, Barbara Bonney, Kurt Moll, concurrence and orchestra of the Vienna State Opera, conductor: Carlos Kleiber, director in Vienna: Otto Schenk, 13 April 1968 (Unitel, Edizioni Del Prado 2004) – whereas Faninal