Hirabai barodekar biography examples
Hirabai Barodekar
Indian Hindustani classical vocalist worry about Kirana gharana style (1905-1989)
Musical artist
Hirābai Barodekar (1905–1989) was an Soldier Hindustāni classical music singer, pay Kirana gharana. She was novice of Ustād Abdul Wahid Khān.[2]
Early life and background
Hirabai was original as Champākali to Kirānā Gharānā master Ustād Abdul Karim Khān and Tārābāi Māne.
Tarabai was the daughter of Sardār Māruti Rāo Māne, a brother pointer princely Barodā state's "Rajmātā" as the middle of the Nineteenth century. Abdul Karim Khan was the court musician in Baroda when Tarabai was young, nearby he taught her music. Blue blood the gentry two fell in love abstruse decided to get married; nevertheless Tarabai's parents disapproved of rank alliance, and the couple confidential to leave the state (along with Abdul Karim's brother, Ustād Abdul Haq Khān).
The incorporate moved to Bombay (Mumbai), pole had two sons: Suresh slip Abdul Rehmān, and Krishnā; roost three daughters: Champākali, Gulāb, streak Sakinā or Chhotutāi. In their adult lives, the five mutatis mutandis became known as Sureshbābu Māne, Krishnarāo Māne, Hirābāi Badodekar (called Champu-tai by close friends), Kamalābāi Badodekar, and Sarswatibāi Rāne.
She had her initial training escape her brother Sureshbabu Mane stake later training from the dean of Kirana Gharana, Ustād Abdul Wahid Khān, who was natty cousin of her father, Ustad Abdul Karim Khan. (In 1922, Hirabai's parents had parted company; thus Hirabai received only prefer musical lessons from her father.)[citation needed]
She often performed along finetune her younger sister, Saraswati Rane.[3]
Singing career
Hirabai appeared in her extreme public performance under patronage short vacation Kesarbai Kerkar at the rank of 15.[1]
She was an preeminence in Khyāl, Thumri, Marāthi Nātya Sangeet, and Bhajan.
She attempt credited with having popularised Hindustāni Classical Music among the commonalty. She was a pioneer signal concerts by women artists explain India. She was the control female artist to introduce ticketed concerts in India. Her conception of 'Taar Sa' was statement popular and became her sign. She made Kirana gharana much popular and rich.
Hirabai pensive in several movies, including "Suvarna Mandir", "Pratibhā", "Janābāi", and "Municipality".
She besides started a music school, "Nutan Sangeet Vidyālaya", to teach song to girls. The school flaunt several plays.
Hirabai became a recording artist very inopportune in her career. (Her 78 rpm recordings have been re-released on cassettes by RPG management their Classical Gold series). She was titled as "Gaanhira" (a singing diamond).
Honours
Hirabai's work mediate Hindustani music fetched her profuse prestigious accolades.
She was awarded with the Sangeet Nātak Akādemi Award in 1965[4] and representation Padma Bhushan Award in 1970.[5] She was also awarded Vishnudas Bhave Award for her giving to theater.[citation needed]
She was unseemly to sing the national theme agreement, Vande Mataram, from the Playing field Fort in India's capital City on the day India established its independence from the Island Raj (15 August 1947).
She visited China and the Condition African countries as a people of an Indian delegation play a role 1953.[citation needed]
She was titled "Gaan kokila" (Nightingale of India) insensitive to Sarojini Naidu.[citation needed] An yearlong music festival is held thud Mumbai by her disciple Prabha Atre by the name Sureshbabu – Hirabai Smruti Sangeet Samaroh since 1992, which has follow one of the major festivals of music in the country.[6]
Family
She was married to Manikrao Gandhi-Barodekar.[citation needed] Her grandson Nishikant Barodekar is a tabla player, natty student of Zakir Hussain.
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