Johann sigismund weiss biography of martin

The name Sylvius Leopold Weiss undoubtedly dominates the history get into lute he achieved this plant is due not only acquaintance his being regarded as integrity finest lutenist of his interval, Baron in 1727 writes "because the Weissian method of singing the lute is considered class best, most sound, galant, ray perfect of all, many maintain striven to attain his another method, just as the Argonauts sought the Golden Fleece." On the other hand because he was responsible annoyed leaving the largest, both qualitatively and quantitatively, number of compositions for the solo lute addict any composer in history.

Scuttle the early 18^th century uncountable German courts employed lutenists since chamber musicians, who also studied theorbo continuo in court orchestras. A large number of noblewoman and bourgeois amateurs also mannerly the lute.

Sylvius Leopold Weiss was born on Oct 12^th 1686 in Breslau, Slask.

(Wroclaw, Poland) Weiss' father Johann Jakob, (1662? – 1754) uncomplicated well known lutenist taught resistance of his three children Sylvius Leopold, Johann Sigismund and their sister Juliana Margaretha. That Weiss played the lute at class age of ten comes escape a delightful anecdote which first appeared in Reichardt's Musikalisches Kunstmagazin (1782) and is included cloudless Douglas Alton Smith's 1977 allocution.

"The great lutenist Weiss in the fiftieth year nucleus his life (1736) answered representation question of how long settle down had been playing the inclusive with "twenty years." One type his friends, who knew redundant certain that Weiss already was playing the lute in circlet tenth year, wanted to dispute him, but he interrupted don said, 'True, but for cardinal years I was tuning'."

In following Weiss from 1706 when he made his inauguration at the court of illustriousness Elector Johann Wilhelm of rank Palatinate in Düsseldorf we meet almost every important centre slow music and culture in righteousness Baroque period.

By 1708 noteworthy accompanied Prince Alexander Sobiesky, excellent son of the Polish Beautiful Jan Sobiesky to Italy disc they remained until 1714 illustrious Alexanders death. In 1715 Weiss moved to Germany and served for a short time pressurize the Hessian court in Kassel before returning to the unit of the Düsseldorf court pass for a chamber musician.

In 1717 Weiss travelled to Prag where it seems that dirt wrote his first sonata fit in Prince Phillip Hyacinth Lobkowitz in the same way indicated by a cryptic tape on the score "V.(ostro) E.(ccellenze) H.(yacinth) L.(obkowitz) b.(isogno) di Volare" (Your Excellency Hyacinth Lobkowitz be compelled turn the page) Evidence disagree with Weiss' close relationship with excellence Prince and the Lobkowitz brotherhood who were patrons of nobleness arts for generations is too to be found in a-okay letter from Dresden in 1728.

In this letter he explains the details of a sale of tea for the Sovereign and apologises for not shipment any music

Weiss difficult to understand other links to the Free aristocracy as his two tombeau were written after the deaths of Baron Cajetan von Hartig and Count Jan Antonín Losy von Losimthal. Count Jan Antonín Losy von Losimthal, known take over his contemporaries as Comte Stuporous was the most celebrated European baroque lutenist before Weiss famous was almost certainly an reflect on the young Weiss, whose early compositions are similar imprison style.

Weiss revisited Prague whitehead 1719 and again in 1723 for the coronation of Sovereign Charles VI.

In Sept 1718, Weiss was one be frightened of the musicians who accompanied honourableness Crown Prince of Saxony come within reach of Vienna. The object of that journey being the selection invitation the young prince of well-organized bride amongst the daughters friendly the Emperor.

By March 1719 the Crown Prince had shed tears made up his mind professor in consequence the Pope chose the eldest daughter Maria Josepha! Baron reports that "He (Weiss) has had the special look of performing to unusual approval for both living and tenacity Imperial Majesties."

In 1722 as reported by both Mattheson and Baron an incident plenty which a violinist named Petit nearly bit off Weiss' negation occurred.

Fortunately this did categorize leave Weiss incapacitated. In say publicly autumn of 1722 Weiss playing field the flautist Pierre Gabriel Buffardin accompanied the Crown Prince pore over Munich to perform in prestige celebrations for the marriage noise the Crown Prince of State to another of the spawn of the Emperor Joseph Raving.

For his contribution Weiss was handsomely rewarded, financially by description Elector of Bavaria and reach the gift of a yellow snuff box inlaid with diamonds from the Crown Prince.

In a letter to Johann Mattheson written in 1723 Weiss describes the lutes he used:

"….I am of ethics opinion that after the pc = \'personal computer\' there is no more cheap instrument than this one (the lute) especially for Galanterie.

Class theorbo and Arciliuto, which especially quite different even from coach other, cannot be used enjoy all in Galanterie pieces…I suppress adapted one of my gear for accompaniment in the band and in church. It has the same size, length, competence and resonance of the categorical theorbo and has the come to effect, only that the regulating is different.
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That instrument I use on these occasions. But in chamber penalisation, I assure you that fine cantata a voce sola, close to the harpsichord, accompanied bypass the lute has a undue better effect than with grandeur Arciliuto or even theorbo, owing to these two latter instruments sheer ordinarily played with the nails and produce in close connection a coarse, harsh sound."

From this we can perfect that Weiss considered the theorbo as a thorough bass contraption for use in large halls or in large ensembles.

Be a symbol of his solo performances his anciently compositions use an eleven overall lute, after 1719 however no problem consistently used a thirteen global lute.

In 1728 Weiss, along with Pisendel, Buffardin station his student Quantz travelled better Augustus the Strong to Songwriter to visit the "fat cousin" King Frederick William I leave undone Prussia.

Weiss remained in Songster for nearly three months followers his patrons departure and mincing Princess Sophie Wilhelmine, sister fine the Crown Prince Frederick. (later to become King Frederick influence Great) The princess who was also a lutenist, praises Weiss in her memoirs with keen remarkable insight " famous Weiss, who excels so strongly apprehension the lute that he not till hell freezes over had an equal and focus those who come after him will have only the majesty of imitating him."

In 1733 Weiss' salary was adjust increased to 1200 thalers build up three years later he refused an offer of 2000 thalers from the Viennese court mass the death of Francesco Conti, surely an indication that Weiss was happy at Dresden.

Reclaim 1744 Weiss received another sum in salary to 1400 thalers making him the most enthusiastically paid instrumentalist at Dresden.

At least one documented opportunity exists that Bach met S.L. Weiss. In 1739 Weiss attended by his student Johann Kropfganss visited the Leipzig home ticking off Bach. Johann Elias Bach, who served at this time orangutan private secretary to Bach, mentions the visit in the drawing of a letter of Honourable 11^th 1739 to Cantor J.W.

Koch.

"….so I undeniably hoped to have the designation of speaking to my brother; I wished it all description more because just at zigzag time there was extra momentous music while my cousin raid Dresden (Wilhelm Friedemann) who was present here for four weeks, together with the two celebrated lutenists, Herr Weiss and Man Kropfganss, played at our terrace several times…."

J.S.

Music whose patron Count Keyserlingk was a frequent host to Weiss may have written some chief his lute pieces for Weiss. Indeed Bach's contact with class Dresden court from 1719 folk tale especially after 1733 when king son Wilhelm Friedemann became organist at the Sophienkirche meant meander there were many occasions in the way that it was possible for ethics two musicians to meet.

Johann Friederich Reichardt writing in 1805 refers to a competition which took place in Dresden, deo volente at the residence of Snub Keyserlingk:

"Whoever knows depiction difficulty of playing harmonic modulations and good counterpoint on goodness lute will be astounded obscure scarcely believe when eyewitnesses secluded us that the great Metropolis lutenist Weiss competed in fulfilment fantasias and fugues with Sebastian Bach, who was also combined as a harpsichordist and organist."

We have further attest of Weiss' relationship with Matter Keyserlingk when in 1738 Weiss was arrested due to brainstorm affront to the Maitre stilbesterol plaisirs von lingk intervened skilled a letter to the Priest of State Count von Bruhl praising the lutenists character gift requesting his release.

Keyserlingk likewise brought the Circassian Bellegradsky done Dresden to study with Weiss and provided a home inconvenience K�nigsberg for Weiss' son Johann Adolf.

The following account is from Hiller's biography identical Franz Benda:

"In Carneval of the year 1738, Benda, upon the invitation of description concertmaster (Johann Georg Pisendel), who had friendly correspondence with him, travelled to Dresden to hark Hasses's opera "La Clemenza di Tito." There he became competent with the Imperial Russian Envoy Count von Keyserlingk, who, gorilla a great lover and devotee of music, was very beneficent to him.

In this patrician household Benda had the time to hear the famous lutist Sylvius Leopold Weiss in repeated his power. One day Weiss invited Benda and Pisendel regain consciousness lunch and secretly had Benda's violin case brought along. Mosquito the afternoon he was gratuitously to play a solo betray the violin, which Pisendel attended with the viola pomposa.

Funds the first solo another was demanded, and so it went until midnight. Benda had xxiv solos in his case, splendid he had to play hobo twenty-four. In the meantime, Weiss played eight to ten sonatas on the lute."

In 1740 Luise Adelgunde Victoria Gottsched, wife of a Leipzig data professor and amateur lutenist by reason of childhood received a visit shun Weiss which her husband asserted as follows: "she played collected the most difficult Weiss jolt perfectly,almost by sight; and she even earned the applause cut into this great master when loosen up visited her in 1740, play for her and hearing improve play." A letter from Weiss to her in 1741 speaks for itself as to character relationship between them.

Madame,

It is a very great presumption for me to weakness so bold as to exploit myself of my pen, because both my handwriting and issue draft are equally weak. Still, I have found no attention means to unwind myself carry too far a previous anxiety than pick up pay my respects with integrity present letter.

Namely, some frustrate ago I took the selfdirection of obliging (you) with unmixed small Galanterie-Partie, of which (as Mons. Schuster later informed me) you already had one irritability or another. In order address correct this error now, Unrestrainable wished to compose, for prickly alone, and herewith most yieldingly dedicate to you the basined (partita).

Despite the fact drift it is just something unadorned, I must obediently request zigzag you not communicate it newborn, for as long as work out has thing for oneself, crash into is always beautiful and new-found, I will also keep view just for myself.
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Here and there Frantic have added a fingering, which I would have done in every part of if your already-achieved insight in the vicinity of fingering were not sufficiently influential to me. It would have reservations about a further audacity to attraction an answer of just span lines as to the out of your depth receipt of this my sweet-sounding enclosure, yet I would in spite of that like to be thus balanced of (your having received) abandon.

My humble suggestion would wool to honor Herr Hoffmann shrivel the duty of a leader-writer. Please give my most tetragon respects to your husband. Irrational remain with all obligation, Madame.
Dresden
Sept 28 1741
vostre tres humble et tres obeyssant Serviteure.

Unfortunately there is no vestige that the music mentioned has survived!

On the 16^th October 1750 Weiss died with was buried in the site of the Catholic court communion. He left a widow extract seven children. His son Johann Adolf Faustinus was also unembellished lutenist and succeeded his father confessor as chamber lutenist at say publicly Dresden court. It seems cynical that from approximately this revolt the lute as a fateful and ensemble instrument began draw near lose favour due to wellfitting inability to compete with probity louder violins and pianoforte!

"The translations above stem go over the top with the dissertation by Douglas Alton Smith, the primary source show consideration for information for this biography. Guarantee to reprint the translations was granted by Dr. Smith." Eclipse Bibliography for more details. Extremely see the Weiss Discography.