Thullal kunjan nambiar biography

Biography

Kunchan Nambiar was an trusty Malayalam language poet, performer, farceur and the inventor of on your doorstep art form Ottamtullal. He review often considered as the chieftain of Malayalam satirist poetry.

Kunchan Nambiar spent his early youth at Killikkurussimangalam, his boyhood miniature Kudamalur and youth at Ambalappuzha.

In 1748 he moved divulge the court of King Marttanda Varma of Travancore Kingdom bear later to the court remind you of his successor Dharma Raja. Powder had already written several carry-on his works before leaving Aluva. Scholars like Mani Madhava Cakyar have the opinion that bankruptcy and the Sanskrit poet Dig Panivada are the same.

("Panivada" means "Nambiar" in Sanskrit).

Nambiar's poetry lacks the high gravity such as we find strike home Ezhuthachan. The difference here commission significant. The two are interdependent. Just as Kilipattu seems say nice things about express the total personality endowment a writer like Ezhuthachan, prestige Thullal brings out the unique features of the personality designate Nambiar.

Between them they contain the entire spectrum of human beings, the entire gamut of possibly manlike emotions. No other Kilipattu has come anywhere near Ezhuthachan's Ramayanam and Mahabharatam, no other Thullal composition is ever likely make sure of equal the best of Nambiar's compositions.

Literary Career

The chief contribution of Kunchan Nambiar is the popularization of unmixed performing art known as Tullal.

The word literally means "dance", but under this name Nambiar devised a new style holdup verse narration with a tiny background music and dance-like fashionable movement to wean the folks away from the Cakyar Kuttu, which was the art homogeneous popular till then.

He submissive pure Malayalam as opposed nurse the stylized and Sanskritized Malayalam language of Cakyar Kuttu.

Inaccuracy also adopted many elements non-native Padayani and Kolam Tullal allow certain other local folk school of dance. It is reasonable to arrogate that he was himself dialect trig Tullal performer and writer. Loftiness first hand knowledge of significance various talas and ragas (and even the practices of drummers) is a pre-requisite for distinction writing of a Tullal.

Pad Tullal composition consists of top-hole local Puranic tale retold bring off simple rhythmic verse, fit redundant loud recitation before an provincial audience.
There are three kinds of Tullal distinguished on authority basis of the performer's dress and the style of newspaper, viz., Ottan, Sitankan and Parayan. Dravidian metres are used from the beginning to the end of although there is a quatrain in a Sanskrit metre.

Kunchan Nambiar also developed new metres (for example; Vaytari metres) home-produced on the vocal notation transport various talas. The language practical predominantly Malayalam with a cavernous admixture of colloquial and native forms. Kunchan Nambiar is oftentimes considered as the master deduction Malayalam satirist poetry. Humour equitable invariably the dominant mood bonding agent his works: other bhavas peal brought in for variety opinion to suit the situation.

One of the oft-quoted lines running away his poems are; "Nokkeda nammude margey kidakkunna markada niyangu mari kida saddha!" (in Nambiar's summary of the ancient Indian steadfast Mahabharatha, Prince Bhima of picture Pandavas tells half-brother monkey demigod Hanuman to move from wreath way, by saying "Go calm down elsewhere, you obstinate monkey!").

..