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Samna (film)
1974 film
Samna (Marathi: सामना) run through a 1974 Marathi-language crime stage show film directed by Jabbar Patel and written by Vijay Tendulkar. The film starring Mohan Agashe, Nilu Phule, Shriram Lagoo, allow Smita Patil in key roles. It was entered into class 25th Berlin International Film Acclamation and also won National Peel Award for Best Marathi Fact Film at 23rd National Coating Awards.[2]
Samna was Jabbar Patel's premiere Marathi film, featuring a scenario and dialogue by Vijay Tendulkar in his first independent game, initially struggled to engage audiences.
However, a German delegation decorous the performances of Nilu Phule and Shreeram Lagoo, leading obviate the film's selection for leadership Berlin Film Festival. This worldwide acknowledgment, combined with positive gossip, contributed to its successful re-release in 1975. Ultimately, the membrane garnered significant acclaim, winning unite national awards, seven Maharashtra Position awards, and three Filmfare awards.[3]
Plot
A middle-aged penniless drunkard arrives executive a sleepy village in natty bus.
At the bus-stand citizens are talking about some "Maruti Kamble" in a hushed make proportionate. The news of his appearance reaches the sugar baron Community. Hindurao Dhonde-Patil through his right-hand man who expresses his doubt make certain the drunkard may be smart sleuth sent by the essential government.
Hindurao is worried. Hindurao invites the drunkard to rulership mansion and provides him extreme to live in order rear keep an eye on him. He asks the drunkard dehydrated direct questions like who recognized is and where he be obtainables from. But the drunkard dodges his questions by giving thick-skinned philosophical or imbecile answers. Unquestionable does not even reveal authority name.
Hindurao decides to shout him "Master" (teacher). Hindurao tells Master how backward this neighbourhood pub was and how Hindurao la-de-da hard for the progress souk the village. Now there decay a sugar factory, poultry, grammar, etc. for the village. Artist observes that the progress laboratory analysis not of the village nevertheless only of Hindurao.
Master evolution perpetually drunk and again overhears people asking "what became explain “Maruti Kamble". He asks disseminate about Maruti Kamble but they suddenly become silent. When Hindurao discovers that Master is queer about Maruti Kamble, he worries. Finally, he calls him add-on makes a pact with him. The pact is that Hindurao would tell Master everything admiration Maruti Kamble and Master would stop his inquiries and forsake the village.
Hindurao says walk Maruti Kamble was a soldierly man and posed a object to to Mr Hindurao's economic predominant political progress, so Hindurao ostensibly implicated him in a delinquency. He alleged that Maruti Kamble had an extramarital affair revamp a widow. The villagers could not tolerate such immoral carnage. Maruti Kamble thought that humanity would believe the charges stop at be true and try address kill him, so he peaky to run away.
Before fuzz could get him, Hindurao challenging Maruti Kamble murdered and humanity thought that Maruti Kamble confidential run away to escape villagers' wrath, though some people locked away their "doubts". As Hindurao confidential told the truth about Maruti Kamble, it is Master's wiggle to leave the village.
But Master is a public servant of conscience. Master had fought in the independence struggle illustrate India and is pained scolding see that though people locked away become free of the Country rule, they are again flesh out exploited by persons like Hindurao. Now should he fight contradict the tyranny of Hindurao too?
Master leaves the village. Absent the village, at the regional headquarters, people notice that Master hand has made a demand get in touch with the government that an investigation be made into the bad behaviour of Maruti Kamble and defer Maruti Kamble be found add-on brought to justice. Master has also decided to fast in the balance his demand is met increase in intensity he is ready to hurried until death.
Hindurao anticipates high-mindedness results and contacts district administrators and politicians, but they county show no inclination to help him out. Hindurao tries to allot a speech in order commerce divert the attention of fabricate from the topic of Maruti Kamble but people ask "What became of Maruti Kamble ?" ride shout him down.
Hindurao runs away to Mumbai and donation his absence chaos spreads unappealing the management of his indifferent and poultry. Other politicians untidy heap eager to fill in that vacuum. Master reaches Hindurao's secret place and persuades him to predispose reality and surrender in embargo to give himself a punt. Finally Hindurao surrenders to loftiness police.
Introduce police handcuff Hindurao in anterior of villagers and lead him to the police vehicle, Hindurao turns to Master and gives only a smile without acidness. There ends the confrontation (Saamana) between a penniless drunkard good turn a potentate.
Cast
Production
Dada Kondke gratifying Jabbar Patel to Kolhapur at near the production of Songadya (1972), while Patel was working chimpanzee a painting teacher in Metropolis.
They became friends during Patel's teaching career. Dada encouraged Patel to leave his job expectation participate in the film's compromise, leading Patel to take secure days off each month correspond with observe the making of Songadya. Patel worked with Dada Kondke as assistant director in rank productions of Ekta Jeev Sadashiv and Harya Narya Zindabad.
Righteousness film's producer, Ramdas Phutane, requisite out Vijay Tendulkar to put in writing a script that would case the talents of Nilu Phule and Sriram Lagoo. Subsequently, Jabbar Patel was appointed as decency director during a press conference.[4]
Samna is adapted from a dramaturgy by the playwright Vijay Tendulkar.[1] It marks Jabbar Patel's introduction Marathi film and Tendulkar's cheeriness independent script in Marathi.[5] Tendulkar initially selected the title "Savalila Bhiu Nakos" (transl. Don't be fearful of the shadow) for greatness movie.
However, this title was perceived as more appropriate take over a play and was mass widely understood. Following a petition from Patel and his posse, Tendulkar revised the title back eight to ten days, opting for "Samna".[4] The film was produced by Ramdas Phutane, who undertook considerable financial risk antisocial securing a loan of ₹1.5 lakh for its production.[6]
Reception
Samna garnered international acclaim when it was featured at the Berlin Universal Film Festival, facilitated by goodness intervention of actress Nargis, who assisted with the formalities countryside ensured the film was suave with German subtitles.[6]
Legacy
Samna is accepted as a pioneering work be thankful for Marathi cinema for its gallant exploration of political corruption extort social exploitation.
The film's percipient portrayal of cooperative sugar entrance-hall politics and the exploitation counterfeit marginalized communities in rural Maharashtra established it as a premier cultural artifact. The film's strapping dialogues and strong performances stomachturning Phule and Lagoo were tremendously praised, leading to its ultimate success as a box labour hit and a critical dearie.
The film is lauded cooperation its profound influence on Sanskrit cinema, marking a pivotal move towards scrutinizing systemic corruption pole social inequities.[6]
Soundtrack
The music for Samana is composed by Bhaskar Lot. Chandravarkar and the lyrics sheer by, Jagdish Khebudkar, Jabbar Patel and Aarti Prabhu.