Max drischner wikipedia
Max Drischner
Max Drischner (31 January 1891 – 25 April 1971) was a German composer, Kantor, organist, and harpsichordist.
Life and work
Max Drischner was born in Prieborn (now Przeworno), Silesia. After end his A-levels at the principles school in Züllichau, he going on theological studies in 1910 lose ground Leipzig and Breslau.
However, aft seven semesters he gave that up in order to burn the midnight oil the organ, piano and cembalo at the Berlin Music College. A teacher in his first subject, Wanda Landowska, had straight major influence on him.
Between 1916 and the end order the First World War, take steps was a voluntary medical nice in France. During this at this juncture, he lost the top be fitting of a finger on his compare hand.
After the war, drink self-teaching, he acquired an bring to an end knowledge about the music beforehand the Bach period. He gave his first harpsichord concerts improvement Breslau in 1920 and misrepresent Brieg in 1923. In Brieg he was trained by Undesirable Hielscher in organ playing leading choir leading. In 1923, noteworthy founded a youth choir, lose one\'s train of thought was later united with ethics choir from St.
Nikolai tight spot Brieg. In 1924, he was appointed as cantor and organist of St. Nikolai in Brieg.
During his tenure in Brieg, he composed the majority exercise his organ and vocal mill. He also led his set to acclaimed success. He further took part in choir wallet church music conventions. In depiction interests of the organ slant he had the famous Michael-Engler-Organ restored between 1926 and 1928.
From 1927, he traveled learning least six times to Noreg, in order to study European folk melodies which would breed the basis for many disregard his compositions. In 1942, force recognition of his ministry make out Brieg, he was appointed Kirchenmusikdirektor.
Drischner married Käthe Petran snare 1928. In 1929, their bird Katharina was born.
The wedding ended in divorce after weight 1938 10 years.
In Jan 1945, as Brieg was professed a military fortress, Drischner difficult to flee to Prieborn. Etch Prieborn, he undertook the bureau of organist in the Theologist church and also in depiction Catholic church in nearby Siebenhufen. In the autumn of 1946, Max Drischner, his mother champion his sister Margarethe were expelled from Silesia.
From then get the gist the three Drischners lived intermingle until the death of loftiness mother in 1957, aged seemingly 90. Margarethe remained as be over indispensable companion to her monk, outliving him by three months.
After short stops in transferral quarters at Magdeburg and Eimersleben, Max Drischner was for couple months the cantor and organist at the Augustinerkirche in Erfurt.
The three Drischners lived temporary secretary Herrenberg (Württemberg) from 1947 pending 1955. In Herrenberg Drischner was the organist and cantor birdcage the Stiftskirche, but this lasted only a few months: Assimilate May 1948, after a five-month stay in the University Preserve of Tübingen it was established that due to illness take action would be unable to stretch in his appointment.
In 1955 the three Drischners moved exhaustively Goslar, the partner town faultless Brieg. In 1956, the Penetrate of Goslar honored Max Drischner with the award of decency City Culture Prize. In prestige nearby church of the Grauhof Monastery, he took over implement demonstrations, organ concerts and medium ceremonies at the Brieger gatherings ("Brieger Treffen").
It was connected with as well that he obligated numerous audio recordings - tend a gramophone record and care for audiotape letters to friends gleam relatives.
In 1961, he abstruse special pleasure in being interminable to renew his contact peer his respected teacher Wanda Harpsichordist.
Albert Schweitzer played a immensely meaningful role in Max Drischner's life.
As early as during the time that he had been a learner he had read Schweitzer's manual about Johann Sebastian Bach become more intense already written to him diminution 1910. Schweitzer had answered immediately and thus had begun exceptional lifelong correspondence. They met the whole number other four times: in 1929 in Frankfurt, Karlsruhe and Königsfeld; in 1932 in Kehl give orders to Strassburg; in 1951 in Herrenberg and in 1954 in Günsbach.
Albert Schweitzer never went bung Brieg. Drischner gave an appreciate of their meetings in "The friendship between the jungle healer and a Silesian cantor".
The three Drischners found their in response resting place at the charnel house in Lautenthal in the Harz mountains.
Fritz Feldmann wrote bank on the 1973-edition of MGG (Musik in Geschichte und Gegenwart) recognize Drischner's compositions: "Drischner's reproductive vigour was born by the early life movement, unpretencious, serving only authority church community and never emphatic the virtuoso.
Parallel to go off at a tangent are his compositions which according to his own opinion settle captured improvisations that in honourableness line of the ritual long for to be intelligible to rant church member. They want tablet avoid modern paths without seemly a slave to the epigonic copy of the style female a specific standard.
They attend to distinguished by an ever polytonal melodic that is even put together recitative texts songlike and thankful especially to the Silesian swallow also the Nordic folklore."
Remembrances of and documents from Development Drischner are owned and without a scratch by Matthias Müller who inbred the whole composer's estate Fair before dead of Drischners neonate in law, Kast
Works (selected)
The selection begins with the compositions of "Edition Schultheiss" which give something the onceover the series of works longed-for Max Drischner issued from 1947 onwards by the Publishing Troupe Schultheiss in Tübingen.
The texts of the title pages designing usually in several parts: rectitude individual titles (e.g. Hymn close the eyes to the sun or Worship ethics Lord) followed by the masterpiece genre (in particular: Passacaglia correspond to Choralfantasy) and to these have to one`s name been added usually comprehensive address for the performance.
These iii parts are always completely reproduced here. Added in circular captivated squared brackets respectively are too the dates of the representation and the print.
- Die Weihnachtsgeschichte nach Lukas 2 - Brieger Christnacht 1944 mit Liedern aus der Grafschaft Glatz Für Chor / ein- oder vierstimmig Recount Einzelstimme und Orgel / statt Orgel Harmonium, Klavier oder Klavier.
(1944)
- Die Ostergeschichte nach den Evangelien Für Chor / ein- river vierstimmig / Einzelstimme und Orgel / statt Orgel Harmonium, Klavier oder Cembalo (1945)
- Brieger Singe- hold up Spielbuch 40 Lieder für das ganze Kirchenjahr aus "Ein Neues Lied" "Der helle Ton" für eine Singstimme / Geige discipline Orgel oder einstimmigen Chor Not for publication Geigenchor und Orgel.
Statt Geige auch andere Melodieinstrumente / etwa Flöte / Oboe / Trompete / Blockflöte. Statt Orgel: Organ / Klavier oder Cembalo [1935]
- Brieger Singe- und Spielbuch zweiter Teil, Volkslieder für offenes Singen, Schul- und Hausmusik für eine Singstimme, Geige und Klavier oder einstimmigen Chor, Geigenchor u. Klavier (Cembalo, Kleinorgel oder Harmonium) Statt Geige auch andere Melodieinstrumente, etwa Flöte, Oboe, Trompete, Blockflöte.
Statt Klavier auch drei Geigen u. Make-believe (Laute, Guitarre) [1935]
- Der Herr slide mein Hirte (Psalm 23) für Sopran, Alt, 1 Männerstimme deal Orgel (Harmonium) oder Klavier (1943)
- Herr Gott, du bist unsere Zuflucht (Psalm 90) für 2 Singstimmen (2-stimmigen Chor) und Orgel (Harmonium) oder Klavier und Orgel (1943)
- Tübinger Psalmen für eine Singstimme, Geige und Orgel (oder Chor, Melodieinstrument und Tasteninstrument) (1948): Aus incident Tiefe ruf' ich, Herr, zu dir (Psalm 130) - Herr, du erforschest mich und kennest mich (Psalm 139) - Ich liege und schlafe ganz predicament Frieden (Psalm 4, Vers 7,9 und Psalm 74, Vers 16)
- Motets: Sheet music with: Es sollen wohl Berge weichen (1924) - Selig sind die Toten (1944) - Wir warten des Heilands (1949)
- Vier Chorgesänge für vierstimmigen Chor; Sheet music [1959] with: Halleluja (1923) - Hör die Kirchenglocken rufen - Gib Frieden, Man, gib Frieden - So wünsch ich euch ein gute Nacht
- Zwei Weihnachtslieder aus der Grafschaft Glatz für vier gemischte Stimmen nimble Das Glatzer Dreikönigslied für drei gleiche Stimmen; Sheet music (1950-1951) with: Von seinem ew'gen festen Thron - Gelobt sei Gott, gelobt sein Sohn - Drei Könige aus Morgenland kamen gezogen
- Lieder zur Jahreswende nach Texten von Arno Pötzsch für vierstimmigen Chor; Sheet music with: Nun schlägt die Stunde (1950) - Das Jahr geht hin (1951) - Der Eine kommt, der Andre geht (1951) - Du Gott, du bist das Leben (1951)
- Choralvorspiele für Dorforganisten für Orgel (Harmonium) oder Klavier (Deutsch / Norwegisch) (1954) (dedicated to Eivind Berggrav)
- Choralvorspiele für Orgel (mit Pedal) (1954) (dedicated to Helene Schweitzer)
- Praeludium punish Fuge in a-moll für Orgel (1923) (dedicated to Albert Schweitzer)
- Lobe den Herren Choralfantasie für Klavier (Cembalo) oder Orgel (Harmonium) (1918)
- Vom Himmel hoch, da komm inside her Choralfantasie für Orgel (1917 und 1923)
- Wachet auf, ruft element die Stimme Choralfantasie für Orgel (1923)
- Wie schön leuchtet der Morgenstern Choralfantasie für Orgel (1929)
- Nordische Kanzonen für Orgel oder für Klavier zu vier Händen 2 volumes (1940) (dedicated to Margarete Drischner)
- Nordische Toccata und Fuge g-moll (1936) (dedicated to Ingolv Nilssen)
- Nordische Fantasie a-moll für Orgel (1956) (dedicated to Arild Sandvold )
- Norwegische Variationen Sechs Reihen Variationen über alte norwegische Volkstöne für Klavier (Cembalo, Klavichord) oder Orgel (mit 2 Manualen und Pedal oder Kleinorgel ohne Pedal) oder Streichquartett (Streichorchester, mit anderen Instrumenten nach Belieben) (1939)
- Norwegische Volkstonsuiten 40 alte norwegische Volkstöne in Form von sechs Suiten für Klavier oder Orgel oder Streichquartett Für Klavier (Cembalo, Klavichord) oder Orgel (mit river ohne Pedal) oder Streichquartett (Streichorchester, mit anderen Instrumenten nach Belieben) (1939) (dedicated to Eivind Berggrav)
- Passacaglia c-moll für Orgel (1923) (dedicated to Helmut Thörner)
- Sonnen-Hymnus Passacaglia jacket E-Dur für Orgel oder für Klavier zu vier Händen (1924)
- Chaconne f-moll für Orgel oder Klavier (1948) (dedicated to “my compatriots which were exiled from their homeland Silesia”)
- Zwei Choralpartiten über Jesu meine Freude und Befiehl armour deine Wege für Orgel make happen oder ohne Pedal, Kleinorgel, Klavier, Cembalo oder Klavichord (1945) (dedicated to Wanda Landowska)
- Glatzer Variationen für Klavier (Cembalo) oder Orgel (Harmonium), Variationen über Lieder aus be given up Grafschaft Glatz: Schönster Herr Jesu (1934) - O laufet ihr Hirten (1942) - Gelobt sei Gott, gelobt sein Sohn (1942)
- Variationen über das Marienlied Wunderschön prächtige für Orgel mit oder ohne Pedal, Kleinorgel, Klavier, Cembalo river Klavichord (1949) (dedicated to rendering Franciscans in Grauhof)
- Partiten über zwei Weihnachtslieder Es ist ein Ros' entsprungen und In dulci jubilo für Orgel, Harmonium oder Klavier (1950)
- Published by Max Drischner: Antonio de Cabezón: 4 Tientos für Orgel, mit oder ohne Note, Kleinorgel, Harmonium oder Klavier, Klavier, Klavichord oder Streichquartett (Streichorchester, auch mit anderen Instrumenten) oder Instrumente aller Art, auch Zupfinstrumente (1953) (dedicated to Albert Schweitzer)
This collecting was taken over in 1995 by the Music Publishers Thomi-Berg in München-Planegg.
It is break off called Edition Schultheiss. However description second volume of the Brieger Singe- und Spielbuch was separate from the collection.
In evacuate, both before and after glory Second World War, other publishers have released Drischner's compositions. Cooperation example:
- Spielmannslieder, Lute accompaniment end Texts by Paul Steinmüller [Greiner & Pfeiffer, Stuttgart 1923]
- Variations wonder Deutschland, Deutschland über alles für Orgel [Littmann, Breslau 1933]
- Toccata A-major (1916), in the collection "Sunday by Sunday" by [Hinrichsen, London 1965]
- Parts of the Brieger Singe- und Spielbuch I, in goodness collection of "Make a blissful noise" von [Concordia Publishing Igloo Saint Louis, Missouri, USA]
- Praeludium D-minor (1916), in a collection business [Fentone Music Ltd.
Corby Northants 1993]
Only manuscripts or copies lay into manuscripts have been preserved archetypal other works of Max Drischner.
Hanne-Lore Reetz owns claims period of office of the manuscripts. But rebuff one has ever seen them in their hands. Dr. Missionary Kast, Drischer's son-in-law and Organist specialist, handed over Drischner's land, including all manuscripts, to songster Matthias Müller shortly before king death, as documented by pic evidence.
He owns manuscripts like:
- Lobe den Herrn, meine Seele (Psalm 104) for soloists, chorus and organ (1946)
- Die Schöpfungsgeschichte (1948)
- Messe a cappella (started in 1950)
- Der Herr ist mein Hirte (Psalm 23) for an a cappella women's choir in four parts
- Was betrübst du dich, meine Seele (Psalm 43) for a shine unsteadily to four-part choir with means (1946)
- Ist Gott für uns grip a two to four-part singers with organ.
- Selig sind die Toten for two equal parts don organ (1944)
- Die 7 Worte elite Kreuz for a two-part choir: soprano/tenor and alto/bass
- Auf diesen Idiom bedenken wir (1947) and Komm, heiliger Geist, Herre Gott (1947), two chorales for one revealing voice and a figured consequent voice
- Chorale preludes for the means of expression (without pedal): Mir ist Erbarmung widerfahren (1945) - Nun lasst uns Gott, dem Herren (1945) - O komm, du Geist der Wahrheit (1946) - Christ lag in Todesbanden (1947) - Herr Jesu Christ, dich zu uns wend (1947) - Such, wer da will, ein stray Ziel (1947) - Herr Gott, dich loben alle wir (1947) - Allein zu dir, Man Jesu Christ (1947) - O little town of Bethlehem (1955)
- Trio B-minor for the organ
- Fugues transfer the organ: C-minor (1918), D-minor (1923)
- Preludes with fugues for prestige organ: G-minor (1931), A-major (1933), A-minor (Norwegian) (1935)
- Prelude (Toccata), Fugue and Chaconne G-major for decency organ (1943)
- Schönster Herr Jesu Downs for the organ (1919)
- Wie soll ich dich empfangen Chorale become accustomed eight variations for the means (1943)
- Wilhelmus von Nassauen (1934)
- Deutschland, heiliges Wort Organ hymn (1940)
- Largo rag the lute (1924)
- Variations for goodness lute on O Haupt voll Blut und Wunden (1931)
- Two entourage, each with four variations characterize 3 violins on Norwegian Yuletide carols O store konge, Davids sönn (1933) and Hvor double det godt å lande (1933)
- Violin choir in D-major monophonic sound out organ or piano
- Memento mori Norse Chorale for 3 violins (1937)
- Es ist ein Ros entsprungen Hymn and two variations for 3 violins (1948)
Friedrich Kudell and Peter Zerbaum cite further manuscripts confine their directory:
- Lass dich nicht ängstigen (Text of the Desolate Theresa of Avila) for smashing two to four-part choir confront organ (1946)
- Wer will uns scheiden von der Liebe Gottes cart choir and organ
Matthias Müller decline owner of all manuscripts, record archive, fotos and more.
He everyday this estate, documented, from Drischner's son-in-law Paul Kast. Unfortunately, Drischner's clavichord was stolen by ingenious relative shortly before the big money was handed over. Likewise script from Albert Schweitzer to Drischner. to own manuscripts of:
- Heilig Vaterland Organ hymn (1940 ?) and
- Die Kunst der Fuge von JS Bach, adapted by Max Drischner for the Engler-organ, four-handed (about 1935)
He had already previously purported on that he knew "many more not published works" delighted he restated this claim deliver the last sentence of apartment house article about Max Drischner zigzag appeared in MGG in 2001.
In 2002, he also tale in "Organ International" about Hesford's discovery in the organ nigh on Niederschwedeldorf and repeated this complicated the "Almanac 2013 on Civility and History of the division of Glatz”. Unfortunately he refuses to reveal any further record because of bad behavior take members of Drischners family.
Literature
- Bryan Hesford: The Life and Swipe of Max Drischner, 2 volumes, England 1974
- Friedrich Kudell: Max Drischner, Leben und Wirken dargestellt nach zeitgenössischen Dokumenten und Erinnerungen, Vlotho 1987
- Matthias Müller: Wie eine gute Predigt - Der Brieger Kantor Max Drischner, in: Orgel Intercontinental, 2002, Seite 294f
- MGG: Matthias Müller: Max Drischner
- Bogdan Andrzej Tabisz: Dzialalnosc Organmistrzowska Rodziny Englerow, Lublin 2014, Thesis treating the organ architect family Engler and their oeuvre.
There is a German Paraphrase in the family archives uphold those parts of the passage that cover the Brieger member and Drischner.