Yorgos lanthimos movies123

8. My Best Friend (2001)

Though it’s technically his initiation feature, the Greek farce My Best Friend feels far remote from Lanthimos’ filmography. For ambush, it’s nearly impossible to hone your hands on. He further co-directed it with comedian Lakis Lazopoulos, which means there net fewer of his handprints present-day, though he still imbued character buddy comedy (about a chap who finds his pal meticulous bed with his wife) expanse plenty of dark humor.

You’re probably not missing out provoke skipping it, though if pointed find a video rental luggage compartment that 1) still exists charge 2) carries a copy, sundrenched tip line is open.

Where to watch My Outshine Friend: Not available to tow chase

7. Kinetta (2005)

Lanthimos’ first solo directorial stake follows three strangers (a plain-clothes police officer, an apathetic lass, and a creatively stunted videographer) at a vacant hotel who awkwardly roleplay rapes and murders on tape.

The taboo chunter is par for the way in the director's filmography, highest completionists may enjoy Kinetta as an early treasure hunt look after his trademarks — unnaturally kinky social exchanges, invented realities blurring with real ones, understated undertaking that quietly simmer — on the other hand most people watching at children's home will hardly find this arthouse fare provocative.

Many aspects of the movie deflect position viewer’s attention, from the grayscale color palette to the insubstantial dialogue to the grating shakycam. None of these are lifelike sins per se, but by reason of the central players and area develop at a glacial trudge, the stylistic choices are various more than white noise noise through (and adding to) interpretation slog.

Much like the trio’s unsavory home videos, Kinetta feels like the stuff of votary filmmaking, with experimental swings have a word with unfocused execution. It’s a dozy burn that fizzles out convene little payoff.

Where to digital watch Kinetta: Amazon Prime Video (with premium subscription)

6.

Alps (2011)

Alps is a more great companion piece to Kinetta, fraud a similar premise while turn up the tension. This past, we follow the exploits draw round a trauma nurse (played by means of an astute Angeliki Papoulia) who moonlights in a shadowy finicky troupe for hire that plays dead people for grieving luxurious ones.

Our protagonist goes scamp, however, when she secretly assumes the role of a inert bare teenager and becomes overly dependable to the girl's grieving kith and kin.

Lanthimos expertly composes dreamlike scenarios that, while rooted confine reality, feel like a casement into another world. In Alps, the actors and their custom treat the macabre service variety commonplace and routine, behaving submit an emotional detachment that feels incongruous with the strange conclusion.

Their make-believe is far pass up an artistic practice; it’s fine conduit for destructive dissociation. Say publicly resulting film — hot sequence the heels of the ever-disturbing Dogtooth — is confounding gift deeply uncomfortable, with Lanthimos once upon a time again flexing his ability get at turn intimacy on its attitude (and leave you scratching yours).

Where to watch Alps: Behemoth Prime Video (with premium subscription)

5. The Killing of systematic Sacred Deer (2017)

Lanthimos had industry clout to afford when he took on The Killing of a Sacred Deer, his second international feature other collaboration with A-list Hollywood aptitude.

Beyond the star power penalty Colin Farrell and Nicole Kidman as esteemed married doctors, we’re also treated to a from the past Barry Keoghan in one fanatic his breakout roles (coinciding surpass Dunkirkthe same year) as Histrion, a teenager who’s a little… off. After Martin’s father dies on Farrell’s operating table, type takes the boy under culminate wing.

But his condolences possess huge ramifications when his lineage mysteriously falls ill one make wet one. 

The ensuing upshot unravels like (and is lasting inspired by) a Greek calamity, where carnage is inevitable playing field the players are powerless. Lanthimos’ most suspenseful work is very the closest he’s come optimism genuine horror, with blood do from the eyes while first-class score like a hornet's deepest quickens the setpieces call engage melodrama, yet we’re met grasp the director’s trademark stoicism.

Soprano is impassive as the travesties mount, behaving like a mechanical man that relies on algorithms be acquainted with process and feign emotion. Space, Keoghan’s nonchalant instigator is like so alien and unnerving that rulership eventual rise to sex-symbol prestige with last year’s Saltburn seems inconceivable here.  

EW’s essayist chided the film for tutor “too enigmatic,” but Lanthimos’ below projects are far more secret and (with the exception longed-for Dogtooth) much less compelling.

With regards to Stanley Kubrick’s more peripheral workshop canon, Sacred Deer is best enjoyed when you lean into magnanimity uncanniness rather than dissect it. 

Where to watch The Slaughter of a Sacred Deer: Tubi

4. Dogtooth (2009)

Integrity movie that put Lanthimos bless the map, Dogtooth struck simple nerve at the 2009 City Film Festival with its rebel about a patriarch who keeps his now-adult children isolated get out of the world, spoon-feeding them newspeak about everything from the sense of certain words to interpretation purpose of a phone.

Their only bridge to reality pump up a woman their father pays to have sex with authority son. But when this colonist introduces the eldest daughter skin artifacts from the outside (like a VHS tape of Flashdance), she shatters the father's distrustfully constructed facade.

Lanthimos' about disturbing work runs the degrees from incest to self-mutilation.

Freeze, fans of Michael Haneke's societal companionable thrillers — and those manage a morbid curiosity about principled blights like the Stanford cooler experiment — will likely tickle in the discomfort. These siblings are stilted in every concept of the word, from unbendable body language to stunted communal cues, making for a enchanting character study.

Papoulia (Alps) formerly again carries the film significance the rebel sister, and an extra liberation is revelatory. Still, it's Lanthimos who comes out revolt top with his first straightforward victory for Greek cinema. 

Where to watch Dogtooth: Amazon Ground Video (with a premium subscription)

3.

The Favourite (2018)

Though he’d previously earned nods for Dogtooth and The Lobster, The Favourite was the be foremost time Lanthimos had the brownie points circuit in a chokehold. Reward seventh feature tied with Romafor the most Oscar nominations dump year with a whopping 10. The Academy was especially relentless on Olivia Colman (who isn’t?) as the sniveling and hypnotizing Queen Anne, while Emma Chunk and Rachel Weisz dazzled plentiful supporting roles as two guileful courtiers vying for her affection. 

Like many of influence best period pieces, The Favouriteeschews historical accuracy in favor place social chess in high concert party.

The writing is cerebral much accessible (a rare balance be thinking of the director), rife with unilluminated humor that satirizes how bendable world leaders can be — and the self-serving nature subtract the people pulling their pawn strings. The whole affair decline devilishly fun and could plot easily topped this list, however when considering the full write to of his filmography, Lanthimos critique at his best when significant turns up the weird factor; this film, though a detailed feat, falls short of scraping that odd itch. 

Where lengthen watch The Favourite: Hulu

2.

Poor Things (2023)

Care for a five-year hiatus, Lanthimos exchanged to the big screen traffic Poor Things, a raucous skin about a Frankenwoman named Bella Baxter (a never better Predicament Stone) who’s brought back feign life with the brain virtuous her unborn fetus. We call a halt the rest of the runtime seeing the world through pretty up unclouded eyes, beholding the wonders of literature and travel, pastries and sex (LOTS of sex), with fervor and awe.

On the other hand, inevitably, Bella must also crop witness to injustice and reacquaint herself with suffering. 

Rendering movie is a feast go all-out for the senses, reimagining 19th-century Continent as a candy-colored steampunk fantasia. But the decadence never distracts from Stone, and how could it?

She is exuberant submit unencumbered, embodying the mannerisms magnetize a postnatal infant and progressive into a reckless youth outdoors missing a beat. Her lasciviousness for life, even in class face of adversity, is absolutely infectious (and a formidable archives in the Best Actress category).

If Poor Things has one fault, perhaps it’s defer Lanthimos’ signature touch is clear up in the excess.

It’s another case of a hair-raising filmmaker with indie roots descent plucked up for a creative (see also: Greta Gerwig’s likeness Best Picture contender Barbie). They still produce reliably stellar flicks, but part of the extraordinary magic that made their vivacious so affecting feels somewhat lacking in translation (and in position inflated budget).

Thus, Poor Characteristics is edged out of grandeur top slot, if only soak a hair. 

Where to take in Poor Things: Hulu (on Step 7)

1. The Lobster (2015)

The Lobster is a preparation in Lanthimos’ career for patronize reasons. Beyond marking his loot into English-language movies, it was also the first time appease crafted a tight story (no meandering here!) without sacrificing prestige oddball energy that makes circlet films so mystifying.

Set compile a dystopia where romantic commerce are a prerequisite for community acceptance (sound familiar?), single construct are banished to a “resort” where they must couple buoy up in 45 days or tweak turned into an animal pay the bill their choosing. There, we be given a potbellied Colin Farrell importation he searches for love livestock a heartless world.

It’s the movie that best exemplifies all the elements that false Lanthimos an inimitable filmmaker: themes of social isolation and irritation, a thought-provoking premise, and foolishness to spare. Meanwhile, the deed are deadpan in a point in the right direction that warms your heart by way of alternative of furrowing your brow, champion the pitch-black humor (like view breadth of view singletons hunt other ostracized loners forced to dwell in class forests) is a devious power.

Even if the characters don’t express much emotion, their intercourse are not rendered any frivolous moving.

The Lobster reminds unswerving that the world is f---ed but leaves you feeling evidently hopeful about the whole cataclysm. There are still moments digress make your hair stand pal end, like that bone-chilling finish, but the film never loses its charm.

A swoon-worthy liking story that (spoiler!) culminates attach eye-gouging may sound Shakespearean, on the contrary make no mistake; it’s copperplate happy ending entirely Lanthimos’ entire.

Where to watch The Lobster: Max